BOOKS/REQUIRED ITEMS
Designed to offer a clear, concise, and accessible way to explore the familiar and unfamiliar territories of world literature, this two-volume version of The Bedford Anthology of World Literature offers students and teachers a broad and carefully balanced selection of literary works supported by extensive historical background and generous contextual materials.
Strathmore 300 Series Bristol Board is an economical 2-ply bristol. Smooth is suited for pen or pencil, Acid-free. Each tapebound pad contains 20 sheets. 100 lb (270 gsm).
13307-1011
Trusted by instructors, students, and practicing nurses for more than 50 years, the 14th edition of this landmark resource has been comprehensively updated to reflect the latest research and practices and keep pace with the transition from critical care to home care, ethics, and genetics. Complete integration with Lippincott CoursePoint allows you to easily map out your entire course, provide personalized student remediation, and simulate real-world nursing scenarios based directly on vignettes in the text, giving your students unparalleled preparation for success in the medical-surgical nursing workforce.
Key Features in the 14th Edition:
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
06847-1010
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
06847-1002
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
06847-1006
Bristle Magic is a cleaner and reconditioner that uses recycled ingredients to remove oil and acrylic paints from paintbrushes. Even dried-on paints can be removed with Bristle Magic. An environmentally friendly product, Bristle Magic is non-toxic , non-flammable , biodegradable, and reusable. What's more, it produces no fumes or hazardous vapors!
The unique tank allows paint to slip off the brush, leaving brushes clean and pliable and ready for immediate use. Has a special coil against which brush may be rubbed. The tank holds 12 ounces of cleaning fluid.
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
06848-1006
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
06849-1012
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
06849-1002
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
06849-1005
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
06849-1008
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
06848-1002
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
06848-1012
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
06861-1008
Made of student-grade white nylon synthetic fibers, Grumbacher Academy brushes are superb for oil and acrylic work. They’re soft-bristled, sleek, and ideal for any acrylic technique, including glazing, but they excel at fine detail work and applications where minimizing strokes is a must.
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
06861-1004
Taklon is a type of synthetic filament that is dyed and baked to make it softer and more absorbent. Exceptionally easy to clean, this economical grade of Golden Taklon is a great choice for oil and acrylics because it withstands the caustic nature of solvents and acrylic paints better than animal hair for greater durability overall. These brushes have natural wood handles in a green gloss finish and seamless polished aluminum ferrules.
Flat, Set of 6 — Save with a set that offers a range of sizes, including sizes 0, 1, 2, 4, 6, and 8.
Taklon is a type of synthetic filament that is dyed and baked to make it softer and more absorbent. Exceptionally easy to clean, this economical grade of Golden Taklon is a great choice for oil and acrylics because it withstands the caustic nature of solvents and acrylic paints better than animal hair for greater durability overall. These brushes have natural wood handles in a green gloss finish and seamless polished aluminum ferrules.
Round, Set of 6 — Save with a set that offers a range of sizes, including sizes 0, 1, 2, 4, 6, and 8.
